Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Antonio Pollaiuolo 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
52346		Altarpiece of the SS. Vincent, James and Eustace	1468 Tempera on wood, 172 x 179 cm
63090		Angel	1467 Fresco Chapel of the Cardinal of Portugal, San Miniato al Monte, Florence * Keywords: *********** Artist: POLLAIUOLO, Antonio del Painting Title: Angel (detail) , 1451-1500 Painting Style: Italian , , religious
1588		Apollo and Daphne	c1470 National Gallery, London
31370		Apollo and Daphne	nn07 c1470 National Gallery, London
42880		Apollo and Daphne	mk170 1475-1480 Oil on wood 29.5x20cm
52338		Battle of Ten Nudes	1470s Engraving, 428 x 618 mm
1589		Hercules and Antaeus	1460 Galleria degli Uffizi, Florence
44428		Hercules and Antaeus Time	c. 1478 Tempera on wood, 16 x 9 cm
1587		Hercules and the Hydra
44429		Martyrdom of St Sebastian	1473-75 Panel, 292 x 2023 cm
63101		Portrait of a Girl - Panel Museo Poldi Pezzoli	Milan There are experts who think it to be the work of Domenico Veneziano. Independently of this uncertainty, this is one of the most beautiful profile portraits of the period. Artist: POLLAIUOLO, Antonio del Painting Title: Portrait of a Girl , 1451-1500 Painting Style: Italian , , portrait
1585		Portrait of a Young Woman 02	1475 Galleria degli Uffizi, Florence
1590		Tobias and the Angel	1460 Galleria Sabuda, Turin

Antonio Pollaiuolo

1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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